Monday, 7 July 2014

Ganesha

O, Elephant Faced One!
You are so near
and we are far from You.
You are in and we are out;
You are at home, while I’m a stranger.
Yet, You have destroyed my egoity.
I shall sing Your Praise forever
and lay my garland of songs at Your feet.”
[Saint Nambiandiyadigal]

“He is worshiped with red flowers.
Unfailing, merciful, the origin of the worlds,
He appears at the beginning of creation, alone, beyond Nature, beyond the Cosmic Person.
He who meditates on His form
becomes great among the yogis”
[Ganapati Upanishad]
In sculpture the position of Lord Ganesh’s trunk has a symbolic meaning.  If the trunk turns to the Ganesh’s left, that is the direction for success in the world.  It is a position associated with grihastas, or householders.  To his right, the trunk represents moksha, good for renouncing the world.  When one chooses a Ganesh sculpture that is proper for their own spiritual path the trunk position is one thing that is good to keep in mind.

“In heaven Lord Ganesh will establish the predominance of gods, on earth that of people, in the nether world that of serpents and anti-gods”
[~A Hymn from Sri Bhagavat-Tathva~]
“Shiva asked his two sons, Kartikeya and Ganesh to circle the world and return.  Kartikeya hurried off on his peacock but Ganesh simply walked around Shiva and Parvati.  He explained that for him, his parents constituted the world.  Shiva granted him a boon, saying that before undertaking any important task people would pray to Ganesh.”
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♥The birth story of Ganesha♥

One day Goddess Parvati was at home on Mt.Kailash preparing for a bath. As she didn’t want to be disturbed, she told Nandi, her husband Shiva’s Bull, to guard the door and let no one pass. Nandi faithfully took his post, intending to carry out Parvati’s wishes. But, when Shiva came home and naturally wanted to come inside, Nandi had to let him pass, being loyal first to Shiva. Parvati was angry at this slight, but even more than this, at the fact that she had no one as loyal to Herself as Nandi was to Shiva. So, taking the turmeric paste (for bathing) from her body and breathing life into it, she created Ganesha, declaring him to be her own loyal son.The next time Parvati wished to bathe, she posted Ganesha on guard duty at the door. In due course, Shiva came home, only to find this strange boy telling him he couldn’t enter his own house! Furious, Shiva ordered his army to destroy the boy, but they all failed! Such power did Ganesha possess, being the son of Devi Herself,This surprised Shiva. Seeing that this was no ordinary boy, the usually peaceful Shiva decided he would have to fight him, and in his divine fury severed Ganesha’s head, killing him instantly. When Parvati learned of this, she was so enraged and insulted that she decided to destroy the entire Creation! Lord Brahma, being the Creator, naturally had his issues with this, and pleaded that she reconsider her drastic plan. She said she would, but only if two conditions were met: one, that Ganesha be brought back to life, and two, that he be forever worshipped before all the other gods.Shiva, having cooled down by this time, and realizing his mistake, agreed to Parvati’s conditions. He sent Brahma out with orders to bring back the head of the first creature he crosses that is laying with its head facing North. Brahma soon returned with the head of a strong and powerful elephant, which Shiva placed onto Ganesha’s body. Breathing new life into him, he declared Ganesha to be his own son as well, and gave him the status of being foremost among the gods, and leader of all the ganas (classes of beings), Ganapati
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At first glance, this story just seems like a nice tale that we might tell our children, or a myth without any real substance. But, it’s true mystical meaning is veiled. It is explained thus:
Parvati is a form of Devi, the Parashakti (Supreme Energy). In the human body She resides in the Muladhara chakra as the Kundalini shakti. It is said that when we purify ourselves, ridding ourselves of the impurities that bind us, then the Lord automatically comes. This is why Shiva, the Supreme Lord, came unannounced as Parvati was bathing.
Nandi, Shiva’s bull, who Parvati first sent to guard the door represents the divine temperment. Nandi is so devoted to Shiva that his every thought is directed to Him, and he is able to easily recognize the Lord when He arrives. This shows that the attitude of the spiritual aspirant is what gains access to Devi’s (the kundalini shakti’s) abode. One must first develop this attitude of the devotee before hoping to become qualified for the highest treasure of spiritual attainment, which Devi alone grants.
After Nandi permitted Shiva to enter, Parvati took the turmeric paste from Her own body, and with it created Ganesha.. Yellow is the color associated with the Muladhara chakra, where the kundalini resides, and Ganesha is the deity who guards this chakra. Devi needed to create Ganesha, who represents the earthbound awareness, as a shield to protect the divine secret from unripe minds. It is when this awareness begins to turn away from things of the world, and toward the Divine, as Nandi had, that the great secret is revealed.
Shiva is the Lord and Supreme Teacher. Ganesha here represents the ego-bound Jiva. When the Lord comes, the Jiva, surrounded as it is with the murky cloud of ego, usually doesn’t recognize Him, and maybe even ends up arguing or fighting with Him! Therefore, it is the duty of the Lord, in the form of the Guru, to cut off the head of our ego! So powerful is this ego however, that at first the Guru’s instructions may not work, as Shiva’s armies failed to subdue Ganesha. It often requires a tougher approach, but, eventually the compassionate Guru, in His wisdom finds a way.
Devi threatened to destroy the whole Creation after learning of Ganesha’s demise. This indicates that when the ego thus dies, the liberated Jiva loses interest in its temporary physical vehicle, the body, and begins to merge into the Supreme. The physical world is here represented by Devi. This impermanent and changeable creation is a form of Devi, to which this body belongs; the unchanging Absolute is Shiva, to which belongs the Soul. When the ego dies, the external world, which depends on the ego for its existence, disappears along with it. It is said that if we want to know the secrets of this world, which is a manifestation of Devi, then we must first receive the blessings of Ganesha.
Shiva restoring life to Ganesha, and replacing his head with an elephant’s, means that before we can leave the body, the Lord first replaces our small ego with a “big”, or universal ego. This doesn’t mean that we become more egoistic. On the contrary, we no longer identify with the limited individual self, but rather with the large universal Self. In this way, our life is renewed, becoming one that can truly benefit Creation. It is however only a functional ego, like the one Krishna and Buddha kept. It is like a thin string tying the liberated Consciousness to our world, solely for our benefit.
Ganesha is given dominion over the Ganas, which is a general term denoting all classes of beings, ranging from insects, animals and humans to the subtle and celestial beings. These various beings all contribute to the government of the Creation; everything from natural forces like storms and earthquakes, to the elemental qualities like fire and water, to functioning of the body’s organs and processes. If we don’t honor the Ganas, then our every action is a form of thievery, as it is unsanctioned. Therefore, instead of propitiating each Gana in order to receive their blessings, we bow to their Lord, Sri Ganesha. By receiving His grace, we receive the grace of all. He removes any potential obstacles and enables our endeavors to succeed.
Such is the greatness of Sri Ganesha! Jai Ganesha!
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Prayers of Shri Ganesha
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"Vakratunda Mahaakaaya Suryakotee Sama Prabha
Nirvighnam kuru mey Deva
Sarva kaaryeshu Sarvadaa"
Meaning
O Lord Ganesha who has a large body, curved trunk and brightness of a million suns, please remove all obstacles in my work always.
Ganesh Mula/Bija Mantras
Aum Gam Ganapataye Namah
Aum shrim hrim klim glaum gam ganapataye vara varada sarva janamme vashamanaya svaha
Ganesh Gayatri Mantra
"Aum Ekadantaya Vidmahe
Vakratundaya Dheemahi
Tanno Danti Prachodayat."
"Aum sri kaala svaroopaaya Vidmahe
Kaalaatheethaaya Dheemahi
Thanno kaala yoga shodasa ganapathi prachodayath"

Ganesh Siddhi Mantras for Jaap
Ganesha Mantras are full of energy and power of Lord Ganesha and these mantras when chanted with genuine devotion removes obstacles and troubles in life and blesses with success and prosperity. Ganesh Mantras are also referred to as Siddhi Mantras and can remove depression, confusion, jealousy and fear from our minds.
Ganesh Siddhi Mantras are very powerful Mantras which can be used in Jaap to attain success, knowledge and fulfillment of wishes. This mantras are repeated in multiples of 108 and chanted using a Rudraksha Japa Mala with utmost devotion concentrating on the meaning of the mantra and visualizing the Elephant God.
Aum Shri Ganeshaya Namah
Aum Gam Ganapataye Namah
Aum Vakratundaya Hum
Aum Kshipra Prasadaya Namah
Aum shrim hrim klim glaum gam ganapataye vara varada sarva janamme vashamanaya svaha
Aum Ekadantaya namah
Aum sumukhaya Namah
Aum kapilaya Namah
Aum gajakarnikaya namah
Aum lambodaraya namah
Aum Vikataya Namah
Aum Vigna Nashanaya Namah
Aum Vinayakaya Namah
Aum Ganadhyakshaya Namah
Aum Bhalachandraya Namah

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Shri Ganesh Chalisa - Stanzas Praising Lord Ganesh

Jai Ganapati Sadguna Sadan,
Kavivar Badan Kripaal,
Vighna Haran Mangal Karan,
Jai Jai Girijaalaal

Jai Jai Jai Ganapati Ganaraaju,
Mangal Bharana Karana Shubha Kaajuu,
Jai Gajbadan Sadan Sukhdaata,
Vishva Vinaayaka Buddhi Vidhaataa

VakraTunda Shuchi Shunda Suhaavana,
Tilaka Tripunda bhaal Man Bhaavan,
Raajata Mani Muktana ura maala,
Swarna Mukuta Shira Nayana Vishaalaa

Pustak Paani Kuthaar Trishuulam,
Modaka Bhoga Sugandhit Phuulam,
Sundara Piitaambar Tana Saajit,
Charana Paadukaa Muni Man Raajit

Dhani Shiva Suvan Shadaanana Bhraataa,
Gaurii Lalan Vishva-Vikhyaata,
Riddhi Siddhi Tav Chanvar Sudhaare,
Mooshaka Vaahan Sohat Dvaare

Kahaun Janma Shubh Kathaa Tumhari,
Ati Shuchi Paavan Mangalkaarii,
Ek Samay Giriraaj Kumaarii,
Putra Hetu Tapa Kiinhaa Bhaarii

Bhayo Yagya Jaba Poorana Anupaa,
Taba Pahunchyo Tuma Dhari Dvija Rupaa,
Atithi Jaani Kay Gaurii Sukhaarii,
Bahu Vidhi Sevaa Karii Tumhaarii

Ati Prasanna Hvai Tum Vara Diinhaa,
Maatu Putra Hit Jo Tap Kiinhaa,
Milhii Putra Tuhi, Buddhi Vishaala,
Binaa Garbha Dhaarana Yahi Kaalaa

Gananaayaka Guna Gyaan Nidhaanaa,
Puujita Pratham Roop Bhagavaanaa,
Asa Kehi Antardhyaana Roop Hvai,
Palanaa Par Baalak Svaroop Hvai

BaniShishuRudanJabahiTum Thaanaa,
Lakhi Mukh Sukh Nahin Gauri Samaanaa,
Sakal Magan Sukha Mangal Gaavahin,
Nabha Te Suran Suman Varshaavahin

Shambhu Umaa Bahudaan Lutaavahin,
Sura Munijana Suta Dekhan Aavahin,
Lakhi Ati Aanand Mangal Saajaa,
Dekhan Bhii Aaye Shani Raajaa

Nija Avaguna Gani Shani Man Maahiin,
Baalak Dekhan Chaahat Naahiin,
Girijaa Kachhu Man Bheda Badhaayo,
Utsava Mora Na Shani Tuhi Bhaayo

Kahana Lage Shani Man Sakuchaai,
Kaa Karihau Shishu Mohi Dikhayii,
Nahin Vishvaasa Umaa Ura Bhayauu,
Shani Son Baalak Dekhan Kahyau

Padatahin Shani Drigakona Prakaashaa,
Baalak Sira Udi Gayo Aakaashaa,
Girajaa Girii Vikala Hvai Dharanii,
So Dukha Dashaa Gayo Nahin Varanii

Haahaakaara Machyo Kailaashaa,
Shani Kiinhon Lakhi Suta Ko Naashaa,
Turat Garuda Chadhi Vishnu Sidhaaye,
Kaati Chakra So GajaShira Laaye

Baalak Ke Dhada Uupar Dhaarayo,
Praana Mantra Padhi Shankar Daarayo,
Naama’Ganesha’ShambhuTabaKiinhe,
Pratham Poojya Buddhi Nidhi Vara Diinhe

Buddhi Pariikshaa Jab Shiva Kiinhaa,
Prithvii Kar Pradakshinaa Liinhaa,
Chale Shadaanana Bharami Bhulaai,
Rache Baithii Tum Buddhi Upaai

Charana Maatu-Pitu Ke Dhara Liinhen,
Tinake Saat Pradakshina Kiinhen
Dhani Ganesha Kahi Shiva Hiye Harashyo,
Nabha Te Suran Suman Bahu Barse

Tumharii Mahima Buddhi Badaai,
Shesha Sahasa Mukha Sake Na Gaai,
Main Mati Heen Maliina Dukhaarii,
Karahun Kaun Vidhi Vinaya Tumhaarii

Bhajata ‘Raamsundara’ Prabhudaasaa,
Jaga Prayaaga Kakraa Durvaasaa,
Ab Prabhu Dayaa Deena Par Keejai,
Apnii Bhakti Shakti Kuchha Deejai

ll Dohaa ll

Shrii Ganesha Yeh Chaalisaa, Paatha Karre Dhara Dhyaan l
Nita Nav Mangala Graha Base, Lahe Jagat Sanmaana ll
Sambandh Apna Sahasra Dash, Rishi panchamii dinesha l
Poorana Chaalisaa Bhayo, Mangala Moorti Ganesha ll

Me...My...Myself

I have realized; it is during the times I am far outside my element that I experience myself the most. That I see and feel who I really am, the most! I think that's what a comet is like, you see, a comet is born in the outer realms of the universe! But it's only when it ventures too close to our sun or to other stars that it releases the blazing "tail" behind it and shoots brazen through the heavens! And meteors become sucked into our atmosphere before they burst like firecrackers and realize that they're shooting stars! That's why I enjoy taking myself out of my own element, my own comfort zone, and hurling myself out into the unknown. Because it's during those scary moments, those unsure steps taken, that I am able to see that I'm like a comet hitting a new atmosphere: suddenly I illuminate magnificently and fire dusts begin to fall off of me! I discover a smile I didn't know I had, I uncover a feeling that I didn't know existed in me... I see myself. I'm a shooting star. A meteor shower. But I'm not going to die out. I guess I'm more like a comet then. I'm just going to keep on coming back
[ C. JoyBell C]

Saturday, 5 July 2014

Om Kriyababajee namah

महावतार बाबाजी मेरे शक्तिशाली सर्वभूत गुरू देवा हैं, मुझे ताकत देने वाले, सच्चाई की और ले जाने का रास्ता दिखाने वाले,मेरे शिव भोले बाबा की और जाने का रास्ता देने वाले खुद ही मेरे शिव हैं। मेरे बाबाजी बुद्धिमता की हद, शब्दों और विचारों से परे हैं। वे हर किसी प्रकार के आध्यात्मिक विचारों और अनुभवों से भी परे हैं। वे निराकार, कायाहीन हैं। वे सिर्फ सन्देश देने के लिए और मार्गदर्शन के लिए 'काया' अपना लेते हैं।स्वंय ही वो भोले शिव बाबा हैं मेरे... _/\_ ॐ क्रिया बाबाजी नमः ॐ _/\_

गुरुमंत्र

ॐ क्रिया बाबाजी नमः ॐ
(बाबाजी के क्रिया योग का गुरुमंत्र)

ॐ    प्रणव, यह प्राणों में व्याप्त होने वाला ब्रह्माण्ड का अदिनाद है |
क्रिया    अपने सभी कर्मों को अपनी चेतना की विषय वस्तु मान कर सजगतापूर्वक किया गया कर्म ही क्रिया है | यह क्रिया योगियों के लिए साधन भी है और साध्य भी |
बाबाजी    क्रिया योग परम्परा के गुरु हैं जिन्होंने इस प्राचीन शिक्षा का संश्लेषण कर इसे आधुनिक काल में प्रवर्तित किया | परमहंस योगानन्द की पुस्तक "योगी कथामृत" में इन्हीं बाबाजी का उल्लेख है |
नमः    अभिवादन एवं आवाहन |
ॐ   अन्तःकरण में गुंजायमान आदिनाद |
ॐ क्रिया बाबाजी नमः ॐ, यह गुरुमंत्र हिमालय के सिद्ध क्रिया बाबाजी नागराज से तारतम्य स्थापित कर हमें उनकी कृपा से जोड़ने की शक्ति रखता है |इस मंत्र के माध्यम से वह अपने भक्तों को दर्शन देते हैं | इस मंत्र के जप से सहस्रार चक्र में अवस्थित परम चेतना अर्थात अन्तःगुरु से सान्निध्य हो जाता है | इस मंत्र में चैतन्य ऊर्जा है | इस मंत्र में शक्ति है क्योंकि मंत्र से ही गुरु अपनी चैतन्य ऊर्जा अपने शिष्य में प्रविष्ट करते हैं | मंत्र के मूल में गुरु के शब्द हैं और मंत्र तो स्वयं साक्षात् गुरु हैं |

_/\_ ॐ क्रिया
बाबाजी नमः
ॐ _/\_

The Northern Himalayan crags near Badrinarayan are still blessed by the living presence of Babaji, guru of Lahiri Mahasaya. The secluded master has retained his physical form for centuries, perhaps for millenniums. The deathless Babaji is an avatara. This Sanskrit word means "descent"; its roots are ava, "down," and tri, "to pass." In the Hindu scriptures, avatara signifies the descent of Divinity into flesh."Babaji's spiritual state is beyond human comprehension," Sri Yukteswar explained to me[autobiography of a yogi] "The dwarfed vision of men cannot pierce to his transcendental star. One attempts in vain even to picture the avatar's attainment. It is inconceivable.The crux seems to be that Babaji looks much as he himself wants to, appearing here and there, now and then. He often walks about unnoticed like a common man:
A disciple of Yukteswar told that once when she was sitting in Lahiri Mahasaya's company, "a simply dressed ordinary looking young man holding a staff" arrived. It was Babaji. Pranabananda . . . was sitting one morning in Benares with his Guru when he saw an ordinary looking man coming from the Ganges and entering Lahiri Mahasaya's home . . . Babaji . . . [Yukteswar] asked about Babaji's age and came to find out that it was almost 500 years.All we know is that he is said to be very old. Different sources give different ages.
He may look like anyone, like a shape-shifter. He may look like you and me.
And he is so secretive that very few actually see him - fewer still may recognise him if they chance meet him.
Our sources agree that the sadhu initiated Lahiri Mahasaya, also called Lahiri Baba (1828-95), into very secret kriya yoga on Drungiri Hill near Ranikhet in the Himalayas in 1861, and that Lahiri Baba initiated about 5000 persons. Publicly known kriya teachings branch out from here.

Divine Mother

The Divine Mother awakens our love and compassion from our hearts and souls. The mother and child relationship is the ideal that the devotee aspires to achieve with the Lord. Notwithstanding almost 2000 years of patriarchy and "Heavenly father" dogma permeating the Western/Christian world, it is easy to understand how our emotions and feelings are evoked when the divine is viewed as a mother. Kali takes away our darkness – our kala. She takes away the darkness from everyone who strives for perfection by performing the spiritual disciplines of purifying austerities.

“Kala” also means time, and Kali means the One Who is Beyond Time.

In the form of Prakriti, Mother Nature, Kali dances on the field of consciousness – depicted as the broad chest of Lord Shiva. She dances with wild and unselfconscious abandon. She is Mukti, the primal energy of spiritual freedom.
When one can reside within, without identification or attachment to the ever-changing external influences, then the Supreme Truth can be realized. This is the path that Mother Kali shows us.

By spreading Her darkness over worldly desire, Kali makes seekers totally oblivious to the transient external elements. They then become totally contained the Self.

To worship Mother Kali, we perform Her puja, sing Her names, recite Her mantras, and remember Her in both times of ease and in times of difficulties
Kali Mata is the Energy of Wisdom (jnana shakti), and by Her Grace all knowledge is conceived, and all wisdom is intuited. With Her wisdom, Kali takes away the darkness of the external world. Then She bestows the True Light of the inner world. Her love and her grace are beyond what words can describe.

Kali is our Mother, and the Mother of all the universes. With Her love we become unattached, and free from action and reaction – we become a silent witness resting in universal delight.
As the Divine Mother, Durga is full of love, warmth, compassion, guidance and protection for all of us - her children! She rides a tiger or lion and carries an assortment of weapons to symbolize her power and strength, and has eight arms, symbolic of the 8 limbs (ashtanga) of Yoga: yama (restraints), niyama (observances), asana (postures), pranayama (breath control), pratyahara (withdrawal of the senses), dharana (concentration), dhyana (meditation), samadhi (transcendental state or nirvana).

Vrikshasana or Tree posture


Do you ever wonder how the Divine Mother stays so young and looks so beautiful even though She is as old as the universe? Her secret to everlasting beauty is no secret at all: Hatha Yoga. The Divine Mother is an inspiration to yogis and yoginis everywhere. Here's Parvati doing Vrikshasana or the Tree posture
Correct Way to do the Tree Posture
Stand tall and straight with arms by the side of your body.
Bend your right knee and place the right foot high up on your left thigh. The sole of the foot should be placed flat and firmly near the root of the thigh.
Make sure that your left leg is straight. Find your balance.
Once you are well balanced, take a deep breath in, gracefully raise your arms over your head from the side, and bring your palms together in ‘Namaste’ mudra (hands-folded position).
Look straight ahead in front of you, at a distant object. A steady gaze helps maintain a steady balance.
Ensure that your spine is straight. Your entire body should be taut, like a stretched elastic band. Keep taking in long deep breaths. With each exhalation, relax the body more and more. Just be with the body and the breath with a gentle smile on your face.
With slow exhalation, gently bring down your hands from the sides. You may gently release the right leg.
Stand tall and straight as you did at the beginning of the posture. Repeat this pose with the left leg off the ground on the right thigh.
Benefits of the Tree Pose (Vrikshasana)
This pose leaves you in a state of rejuvenation. It stretches the legs, back and    arms, and invigorates you.
It brings balance and equilibrium to your mind.
It helps improve concentration.
This posture has been found to relieve some cases of sciatica.
It makes the legs strong, improves balance, and opens the hips.
Helps those who are suffering from sciatica.
You should not do the Tree Posture(Vrikshasana)
if you are suffering from migraine, insomnia, low or high blood pressure .If you are suffering with high blood pressure you may do this pose but without raising your hands overhead, as this may further raise the blood pressure.

Amma...moi divine maa

If we watch Amma, we will see the embodiment of all the divine qualities she is constantly encouraging us to cultivate. If you want to understand devotion, watch the tears as they roll down her cheeks during bhajans. If you want to learn about serving the world selflessly, sit by her side one evening as she embraces 12,000 people. If you have questions about sadhana, envision her years on the seashore when she sat motionless, completely estranged from the world. And whatever Amma does, it is meditation, whether sitting in silence, speaking to thousands or sweeping the ashram courtyard

A story told by Amma...maa
"Greatest devotee of God"

Sage Narada thought that he was a great devotee.
“Once Lord Krishna said, ‘Narada, there is one farmer on earth who is a greater devotee than you.’ Narada doubted this and came down to earth to see the peasant in person. He found that the farmer would chant the Lord’s Name only three times a day. ‘How could he be a greater devotee than I?’ thought Narada. Upon returning, he mentioned his doubt to the Lord.
“The Lord gave him a small vessel filled to the brim with oil and asked Narada to keep it on his head and go round a particular hill without spilling even a drop of it.
“When Narada returned after finishing the round, the Lord asked, ‘How many times did you chant My Name in between?’
“Narada thought and was surprised to discover that he had not remembered the Lord’s Name even once because his attention had been fully concentrated on keeping the vessel of oil steady so as not to spill it.
“The Lord smilingly said, ‘Now do you understand what a great devotee that farmer is? Even in the midst of his toilsome work, thrice he is remembering Me, is he not?’
“Children, one who simultaneously does karma (action) and remembers God is the noblest"

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Second story told by Amma...maa
"Fathers box"

A father was approached by his grownup sons. “Father,” they said, “please divide your property amongst us. We will always look after you.”

Heeding the words of his children, the father agreed and divided all his property amongst them. It was decided that he would live with his sons, staying with each for two months at a time. So, when the partitioning of the land was completed, the father went and stayed with his eldest son. Hardly one week had passed when the attitude of his son and daughter-in-law showed signs of change. They began to neglect him. They treated him so badly that, long before the two months were over, he left them and went to stay with his second son. But there he fared no better. After only five days he had to leave them as well because he couldn’t bear the verbal abuse inflicted upon him by his daughter-in-law. His experience in the house of his third son was even worse. There, he was reduced to constant tears. Finally he took refuge in an ashram.

The guru of the ashram gave him some advice. A month later, the father returned to his sons carrying a locked box. They were eager to know what he kept inside. When they insisted that he tell them, he said, “I have some valuable jewellery in there. I will not give it away until I die. After my death, anyone can have it.”

When his sons heard this, their attitude towards him changed drastically. There are no words to describe the love they suddenly showed their father! Each son pleaded with him to come and stay at his house. Thus the father once again began went to stay with his sons, except that this time he was treated very well indeed!

Finally the father died. His sons didn’t waste any time: they rushed to the box and opened it. But what a surprise they got when they found only a few stones inside the box!

“My Children, this story describes the nature of worldly love. There is selfishness behind all forms of worldly love. If we spend our lives seeking love in the world, we will do nothing but grieve

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    "The remedy for sorrow"
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[11 June, Los Angeles, California – America Yatra 2014
Extracted from Amma’s answer to a question about the true meaning of the statement ]

“No one is your own.”

♥Amma♥: When we say “no one is my own,” then “everyone is my own, everyone is an extension of my True Self” is also implied. If we place 100 pots of water out in the sun, we will see a reflection of the sun in each and every pot. But, in reality, there are not 100 suns; there is only one sun. Similarly, it is the one and same consciousness that is manifesting in all beings.

Why do the scriptures and gurus say that everything is one? Because they don’t want us to be sad or depressed, and they know that understanding this fact—which is the truth—will put an end to that sorrow. When we think that we are the limited body-mind complex, then it is only natural that we will be insecure and afraid. And from this insecurity, we will become dependent upon other people. This leads to attachment and sorrow. Our very existence becomes based upon the words and action of others. If they praise us, we soar up to the heavens in happiness. If they criticize us, we fall down to the floor in sorrow. Mahatmas want us to be free of such dependence, and they know that in order to go beyond it that understanding these spiritual truths is essential.

Once a king had a dream that he was a butterfly, blissfully flying here and there. When he awoke, he was confused. He kept asking himself, “Am I a king who dreamt he was a butterfly? Or a butterfly who is dreaming he is a king?” In his confusion, he went to a guru. And the guru said, “You are neither a butterfly nor a king. You are pure consciousness, pure awareness. It is within that awareness that is you that both experiences have taken place. The atma is the only truth. Both the butterfly and the king are dreams.”

Children, we must awaken to this understanding. Then we can see our oneness with others. We must see others as our own Self. That is the only way to overcome the sorrow we are currently experiencing. Amma knows this is not easy, but it is possible with constant practice. Just as we have learned to identify with this name, we need to learn to identify with our True Self.

Celestial £ovemaking of Radhey...Krishna

[Chapter 15]
[ only for reading and all copyrights are reserved by their respective authors and
some quotes are copyrighted by The Bhaktivedanta Book Trust International @ Krishna.com]
1- His hands like a creeper bearing a bunch of fresh asoka flowers to be Shrimati Radharani's earrings, eager Krishna quickly entered the lakeside grove previously hinted to Him by Vrnda-devi's glance.
2- When the intoxicated mad elephant of Lord Krishna reached the shore of the celestial Ganges river of Shrimati Radharani, the swans of Her gopi-friends at once flew away.
3- With His lotus eyes that mad elephant of Lord Krishna drank the nectar of the beautiful form of the celestial Ganges river of Shrimati Radharani. Trembling with agitation, that elephant used His hand to break apart the saivala plants of that river's bodice and the lotus flower's of Her undergarments.
4- Shrimati Radharani was so tired and sleepy that She did not awaken. With Her eyes closed She saw Her lover Krishna in Her dream. As She saw Him touching Her breasts and tugging at Her undergarment, She pretended to be displeased, and staunchly resisted His advances. She said:
5- Hari! D d d don't touch Me! Wha wha wha what do You want to to do here? Let Me sleep for a few moments more. My eyes are spi spinning around with intoxication.
6- Shrimati Radharani simultaneously smiled and wept. She spoke to Her lover in stuttered, unclear words, and used both hands to check His trembling hand. At that time She suddenly awakened and saw Her own actions, and Her lover Krishna standing before Her.
7- Shrimati Radharani repeatedly opened and closed Her eyes. Maddened by both madhvika intoxication and amorous desire, Her speech and actions were then same now She was awake as they had been before when She was asleep.
8- Because of shyness and contrariness Shrimati Radharani resisted Lord Krishna's amorous assault. Maddened with desire, and striving for victory, the infallible Supreme Personality of Godhead, attacked Her. Noticing Her belt was silent, He attacked it. Seeing this attack, Radharani's ankle-bells loudly tinkled as if screaming out in fear.
9- When Lord Hari grasped the neck of beautiful-eyebrowed Shrimati Radharani, Her voice became choked with fear. Making various wonderful inarticulate warbles, She presented an emotion-laden appeal before Lord Hari:
10- With the clubs of His two broad arms Lord Krishna smashed the fortress of Radharani's contrariness. accompanied by the heroic soldier-friends of His lips, nails, teeth, chest, arms, and hands, Lord Krishna invaded and plundered the city of the body of beautiful Shrimati Radharani.
11- Understanding that great jewels were buried there, Lord Krishna's fingernails dug Shrimati Radharani's breasts. He extracted from them the jewel of Her youthfulness. He held that jewel with both hands.
12- Lord Krishna's teeth extracted the nectar from Shrimati Radharani's lips. Pressing Her body against His arms and chest, Krishna extracted the jewel of the touch of Shrimati Radharani.
13- With His hands Lord Krishna held Shrimati Radharani's hair, and with His lips He uncovered the splendid jewel of kissing that had been hidden in the different parts of Her face.
14- Shrimati Radharani was unable to tolerate the breaking of Her modesty's armor and the theft of the treasure of Her nectarean lips. Placing Her boldness as the general in command of the great military might of Her teeth and nails, She inaugurated a fierce amorous battle with Her lover Krishna.
15- Shrimati Radharani jubilantly roared like a lion. Her belt tinkled like the roll of dundubhi drums. Displaying Her military might, She violently attacked Her lover Krishna.
16- Seeing Lord Krishna grow restless under His beloved's attack, and thinking that the unconquerable Krishna had just now succumbed to defeat, Shrimati Radharani's earrings began to jubilantly dance with the dancing girl of Her pearl necklace.
17- Lord Krishna, the killer of Aghasura, then stole the jewels of Radharani's heart and lips, and hid them among His own jewels. Radharani then attacked Him with Her teeth and nails and took away aLL His jewels in retaliation. All this proves the popular maxim that a thief will eventually be robbed of all his wealth.
18- The handsome-eyebrowed heroes of Radharani's eyes stand on the chariot of Her lotus face. The honey of Lord Krishna's bodily splendor rests in the lotus flower of His face, and is carefully protected by the two bumble-bees of His eyes. The heroes of Radharani's eyes have now stolen that honey and taken it back to their lotus chariot.
19- Seeing before them the two powerful heroes of Lord Krishna's eyes, the two soldiers of Radharani's eyes fled in fear, and the army of Radharani's limbs scattered in defeat.
20- Shrimati Radharani's forehead was covered with perspiration and disheveled locks of hair. Her thighs became motionless and Her breasts heaved with deep sighs. Her arms moved languidly and Her eyes were closed shut. Clearly defeated in the amorous battle, She now delighted Her lover Krishna.
21- Obedient to King Cupid's order, Shrimati Radharani attacked Lord Krishna. Although striving to display the maximum military power, She suddenly became fatigued and all Her limbs became slackened. This was not very surprising, for after all She was only a weak woman.
22- Her garments and ornaments in disarray, Her motionless form glistening with drops of perspiration, Her eyes closed, and Her voice decorated with amorous whisperings, Shrimati Radharani rested upon the chest of Her lover Krishna. She appeared like a stationary lightning flash on a fresh raincloud.
23- moving with each deep breath, Shrimati Radharani's abdomen repeatedly touched Lord Krishna's belly. How is it that the touch of Lord Krishna simultaneously stunned Her with pleasure and excited Her to serve Him? This is certainly very surprising.
24- Doe-eyed Radharani yearned to touch and gaze at the glistening sweet limbs of Her lover. She simultaneously melted with happiness and longed to serve Her beloved Lord Hari.
25- Lord Krishna then gently disentangled Himself from Shrimati Radharani's embrace. With His own lotus hand He wiped away Her perspiration and neatly arranged Her disarrayed hair and garments.
26- In order to make a joke before Her friends, Shrimati Radharani thrice begged Lord Krishna to take time to very neatly arrange Her ornaments. He reluctantly complied to Her request. As soon as He touched Her, She became overwhelmed with bliss. She forbade Him to proceed. She spoke the following words:
27- My love, did I ask You to decorate Me with all these ornaments? Stop this useless waste of time. These ornaments do not please Me. They are too heavy. I cannot bear their the weight. They simply give Me pain. Stop this and let Me rest here for a moment in peace.
28- As Shrimati Radharani spoke these words Her eyes were closed and Her beautiful face decorated with a charming mixture of tears and smiles. As astonished smiling Lord Krishna thirstily drank the honey of His beloved Radharani's stuttered words, He found Himself intoxicated with amorous desires.
29- The gopis had waited outside for the proper moment to enter. At that moment they entered the forest-grove. They carried articles of worship in their lotus hands. They were intent on serving the Divine Couple.
30- Maddened with devotional love, the gopis served the lotus feet of the Divine Couple. The gopis brought Them betel-nuts, cool water, fragrant garlands and other nice articles. The gopis fanned Them, massaged Their lotus feet and other limbs, and rendered various other services. In this way the Divine Couple became pleasantly scented and completely free from all fatigue.
31- Glancing at Her lover with expressive, smiling eyes, Shrimati Radharani said: My love, I cannot be happy without the company of My lotus-faced gopi-friends, who are now intoxicated and asleep in the nearby groves. My love, please wake them up and bring them here.
32- Shrimati Radharani repeatedly begged reluctant Lord Krishna, and at last He consented. He left to waken the gopis just like a maddened elephant goes to sport among lotus flowers.
33- Lord Krishna thought: To whom shall I go first? To Lalita? To visakha? To Citra? In His mind He reviewed all the gopi friends of His beloved Radharani. Finally, He expanded Himself into many forms and happily entered all the different groves simultaneously.
34-In these groves Lord Krishna enjoyed with each gopi the same charming sleeping-waking pastimes He had previously enjoyed with their leader, Shrimati Radharani.
35- The expert wrestler Krishna fought with each of the powerful gopis and simultaneously defeated all of them.
36- The gopis who were at that place, diligently served Shrimati Radharani, and after a little time Radharani became tired of staying in that grove. She and these friends all went to the shore of Radha-kunda.
37- Decorated by the hands of their wild uncontrollable lover, the gopis, who had just been awakened by Krishna, showed numberless signs of conjugal happiness. Their limbs were marked with various scars obtained in the great battle fought in cupid's sacrifice, and these marks made them appear like grandly decorated sacrificial arenas of cupid. Stumbling as they walked, their arms tired from fighting with Krishna, their eyes half-closed, their heads bowed with embarrassment, and their eyebrows curved in the anger of love, these gopis approached their friend Radharani.
38- Lord Krishna also left those groves. He then met Madhumangala and some other close gopa-friends. Then He saw His smiling beloved Radharani. He and His friends approached Her.
39- Mischievous Kundalata then arranged for a gambling match. The principal gopis were the contestants, Lord Krishna was made the referee, Vrnda-devi and her friends became the audience, and the prize for the winner was the right to enjoy with Krishna without any embarrassment. In that game Shrimati Radharani defeated Her embarrassed gopi-friends in a single stroke.
40- The deep nectar ocean of Lord Krishna's amorous pastimes remains always inaccessible to ordinary living entities. Only a few rare souls, filled with pure devotional love, can actually taste the sweetness of that ocean. Others, who are merely great philosophers and poets, must remain on that ocean's shore. They have no power to enter it.
41- After enjoying many different pastimes, Lord Hari and the gopis became tired. When the gopis understood that Radharani wanted to sport in the water, they took it as an opportunity to serve the Divine Couple. Soon Lord Hari, His beloved Radharani, and the gopis were moving about in the waters of Radha-kunda.
42- Their hair loosened by enjoying pastimes and clustered about their necks, their many heavy ornaments removed, and their bodies clothed in fine, white, silk garments, by their devoted gopi-maidservants, the beautiful-eyed principal gopis appeared very splendid and glorious.
43- Lord Krishna's bodily luster eclipsed the beauty of hundreds of lotus flowers or nectarean moons, His eyes were as beautiful as splendid suns or blossoming lotuses, and His sidelong glance defeated the lotus flower of cupid's great happiness. Lord Krishna appeared like a powerful, fatigued, maddened, wild jungle elephant who had eagerly entered with many fatigued female elephants into the lotus filled pond Radha-kunda, so dear to His beloved Radharani.
44- The gopis eyes and faces were like lotus flowers, their hair like swarms of restlessly moving bumble-bees, their breasts like pairs of cakravaka birds, and their bodies and arms like lotus stems. They sported in the lake in order to bring pleasure to the two maddened elephants of Lord Krishna's eyes.
45- During these water-pastimes some timid gopis remained on the shore. Other gopis splashed them with water, grasped their garments, and laughing, forcibly pulled them into the water.
46- Standing in the water up to His navel, Lord Hari laughed as He violently splashed water on all the gopis. Afraid of His splashing, some gopis fled to other places in the pond, where the water reached only up to their thighs or knees.
47- Partly visible from under translucent wet garments, the exquisite beauty of the gopis bodies became a great river that submerged the two maddened elephants of Lord Hari's eyes. A similar river also flowed from the form of Lord Hari and submerged the female elephants of the gopis' eyes.
48- Out of contrariness all the gopis pretended o be pained by the coldness of the water. Their wet faces were simultaneously filled with tears and smiles as they expressed their desire to rise from the water. Lord Krishna responded by suddenly pulling them deeper so the water was now up to their navels. Clustered about Lord Hari in the water, all the gopis appeared very beautiful.
49- The gopis played in the water fragrant with the falling pollen and honey of the rajiva, raktotpala, pundarika, kahlara, nilotpala, and kairava lotus flowers.
50- Nandimukhi, Vrnda-devi, Dhanistha, and other gopis stood on the shore observing the water-fight between Lord Krishna and the gopis. Desiring the victory of Shrimati Radharani and Her friends, these gopis showered flowers and shouted, Victory! Victory!
51- Subala, Kundalata, and the brahmana boy Madhumangala stood at another place on the shore. They desired Lord Krishna's victory, and they also showered flowers and called out, Victory! Victory!
52- The water-splashing battle between Lord Hari and the gopis then began in earnest. The gopis gently sprinkled Lord Hari, and He replied by vigorously splashing them. The gopis responded with  ferocious, constant volley of water from all directions that made Lord Hari lower His head in fear and cover His eyes, nose, and ears with His hands and flower-petal fingers.
53- To gaze at the gopis' beauty Lord Hari appeared to have thousands of eyes. To approach each gopi individually He had thousands of feet, and to embrace each gopi He had thousands of arms.
54- Manifesting thousands of hands, Lord Krishna splashed the doe-eyed gopis who stood in water up to their waists, and made their lotus faces blossom with happiness. With the same thousands of hands He affectionately stroked the many pairs of cakravaka birds that were the gopis' breasts.
55- Seeing Lord Krishna in this way, the brahmana boy Madhumangala joyfully recited the Vedic purusa-sukta prayer: The Supreme Personality of Godhead has thousands of feet, thousands of eyes, and thousands of arms.
56- Standing on the shore, Nandimukhi laughed as she recited from the smrti-sastra: Everywhere are His hands and legs, His eyes, heads and faces. In this way the Supersoul exists, pervading everything.
57- Lord Krishna's dark form was a raincloud ceaselessly showering water on the trembling creepers of the beautiful Vraja-gopis in all directions.
58- Thinking " Are the soles of the gopis' feet red because they are decorated with cosmetics, or because they have been so long in the cold water?" and unable to reach a definite conclusion, the garland of clouds known as Shri Krishna has now become maddened with doubt.
59- Although at first the beautiful gopis were delighted to be splashed with water by the hand of their lover Krishna, after some time they became agitated by the constant showers of water in every direction. Their hair became disheveled, their garments disarrayed, and their garlands broken. In this condition they became reluctant to continue the water-fight.
60- As He stood in the pure crystal water, Lord Krishna embraced the gopis, took away their garments, touched them with the water-waves of His hands, and decorated them with flower petals. In this way He immediately made friends with the lotuslike bodies of the gopis.
61- Seeing Her friends repeatedly defeated by Krishna without being able to utter even two syllables in their own defense, Shrimati Radharani became determined to defeat Her lover. Beginning by speaking many sweet conciliatory words, She suddenly launched a ferocious, constant shower of water.
62- Ignoring the gopis' prohibitions, Radha and Krishna began the first round of Their fight with a water-duel.
63- Surrounded by the gopis, Radha and Krishna next fought hand-to-hand, then arm-to-arm, then claw-to-claw, then mouth-to-mouth, and then tooth-to-tooth.
64- Seeing that by touching each other Lord Krishna was overwhelmed with bliss and Shrimati Radharani was deeply agitated with ecstatic love, Lalita spoke the following words to Shrimati Radharani:
65- Krishna's crown has fallen, His kaustubha gem has fled, disguising itself as the mirrors of His cheeks, His earrings are trembling, His tilaka marking has disappeared, and His garland is broken to pieces. My friend, please give up fighting. Do not cause Krishna any more suffering.
66- At one moment Krishna was victorious and Radha defeated, and in the next moment the situation was reversed. Seeing the constantly changing fortunes of the contestants in the water fight, the gopi-friends on the shore began to laugh.
67- Lord Mukunda then forcibly dragged Shrimati Radharani to a deeper part of the lake, where the water was up to Her neck, pushed Her under the water, and then pulled Her up again, just as an elephant playfully pushes a lotus flower under the waves.
68- Shrimati Radharani's face was like a lotus flower and Her hair was like saivala moss. When Her head again rose from the water, She placed Her lotus arm around Lord Krishna's neck. She yearned to escape the grip of the trunk of this elephant Krishna.
69- During these pastimes the gopis had cheerfully hidden themselves in a cluster of blossoming golden lotus flowers where the water was up to their necks. When the gopis were hidden Shrimati Radharani said to Lord Krishna: My love, where have My friends gone so suddenly? Please go at once and find them.
70- Leaving Shrimati Radharani in that place where the water was up to Her neck, lotus-eyed Lord Krishna went off to find the gopis. When He was out of sight beautiful lotus-faced RAdharani hid within a cluster of lotus flowers.
71-Lord Krishna then saw the golden lotus flowers of the gopis' faces standing a little above the water. He saw the saivala moss of their hair, and the pair of blue lotuses that were their eyes. The bumble-bee of Lord Krishna became very eager to drink the honey of these lotus flowers.
72- Expanding into many forms, Lord Hari approached each gopi. The many thirsty bumble-bees of Lord Hari's forms drank the honey of the golden lotus flowers of the gopis faces.
73- As Lord Krishna approached, Shrimati Radharani hid Herself among the gopis. Lord Krishna placed His lotus face before the lotus face of each gopi. A fierce duel between Lord Krishna and the gopis followed.
74- By stroking the gopis' breasts, Lord Krishna created waves that rocked the lotus flowers of the gopis' faces, which each held the trembling bumble-bee of Lord Krishna. When Lord Krishna kissed the gopis He could see their eyes move restlessly, and He could see them turn from Him, reluctant to receive His Kisses.
75- The gopis became exhausted by enjoying all these pastimes, and as a result their limbs became a little emaciated. When their lotus flower armlets and bracelets began to slip from their thinner arms, Lord Krishna affectionately held them in place.
76- The gopis' smiles defeat the beauty of blossoming flowers, their arms defeat the beauty of the lotus stems, their graceful motions defeat the swans, their faces defeat the golden lotus flowers, their breasts defeat the cakravaka birds, and their eyes defeat the blue lotus flowers. Lord Krishna's stroking their firm breasts and hips agitated the water of Radha-kunda.
77- These pastimes generated great waves in the water. The waves clashed with the wind blowing in the opposite direction. The water and wind checked each other's movements. They could neither move nor stand still. They could be neither agitated nor peaceful.
78- The nectarean moons of the gopis' faces then arose from their hiding places. When the few cakravaka birds in that lake saw the glistening breasts of the gopis they believed those breasts to be cakravaka bird couples like themselves, and they no longer felt lonely. Thinking themselves at a grand social event filled with handsome cakravaka bird couples, they became filled with happiness.
79- When the moon of Shrimati Radharani's face arose, all the creatures in the pond thought night had arrived. Even though it was still daytime, the blue and white lotus flowers bloomed, and the bumble-bees began to enjoy drinking their honey.
80- As the gopis gazed with rapt attention at the wonderful pastimes of the bumble-bees among the lotus flowers and water-lilies, Lord Krishna hid within a cluster of blue lotuses.
81- The gopis immediately began searching for Krishna. Maddened with transcendental bliss, the gopis thought the lotus flowers were actually Krishna's faces. Each gopi began eagerly kissing the lotus flower before her, until, noticing the activities of her friends, and understanding the actual situation, she became filled with embarrassment at her folly.
82- By chance Shrimati Radharani stood next to the lotus face of Her lover Krishna. Citra noticed this and said to the gopis: Friends, look at this great wonder among these lotus flowers.
83- Citra continued: Here is a wonderful golden lotus flower, it top covered with saivala moss and a garland of moving black bees, and its middle the home of a pair of dancing khanjana birds. Next to this golden lotus is a blue lotus flower, also decorated with saivala moss, bumble-bees, and a pair of khanjana birds.
84- This golden lotus flower is tossed about by the glistening waves of amorous desire. Those waves have carried this delicate lotus a great distance. Those waves caused this golden lotus to cling to the blue lotus flower. Whether this golden lotus touches the blue lotus or not, these waves cause it to tremble with agitate.
85- Citra continued: Two cakravaka birds have now risen from the water. Two blue lotus flowers have suddenly appeared and covered those cakravaka birds. Two red lotus flowers have now also appeared on the scene. By speaking these outrageous metaphors, Citra delighted the gopis.( The two cakravaka birds are Shrimati Radharani's breasts, and the red lotus flowers are Her hands and the two blue lotus flowers are Lord Krishna's hand )
86- Taking Shrimati Radharani with Him, Lord Krishna stood in the midst of the gopis. He appeared like a blue lotus flower surrounded by golden lotus flowers.
87- Splashing in the lake, Lord Krishna and the gopis sounded like frogs jumping in the water. Sometimes they sounded like pataha drums,and sometimes they sounded like dundubhi drums.
88- As Lord Hari and His beloved gopis sported they made the water more fragrant and cool. They colored the originally crystal clear water with the black musk, white sandalwood, and red kunkuma that had anointed Their bodies.
89- Appearing like a male elephant splashed by many female elephants and splashing them with His lotus hand, Lord Hari emerged from the cluster of lotus flowers in the water and entered the dry land.
90- The gopi-maidservants then massaged Lord Krishna and His intimate gopi friends with scented oils. After this, these maidservants happily bathed Them in the water, and afterwards they also bathed themselves. After this They all entered the sacred shore of Radha-kunda.
91- When the maidservants emerged from the water the fine white garments on their golden bodies were dripping with water. The girls appeared like golden mountain peaks surrounded by white autumnal clouds showering incessant rain.
92- The glistening drops of water trickling from the loosened hair of the maidservant gopis appeared like beautiful strands of pearls. This was the thought within Lord Krishna's heart.
93- Although it is very difficult to see Lord Krishna even for a moment in a dream, the doe-eyed gopis were able to gaze at Him for a very long time, they associated with Him without obstruction. As they drank the nectar of His sweetness with their eyes, their thirst to drink, doubled, and then doubled again.
94- When Lord Krishna saw the maidservant-gopis' bodies, partly visible through the translucent wet garments, His happiness expanded unlimitedly, far beyond the happiness of direct conjugal love. This is not very surprising, for Lord Krishna is limitless and all-powerful. When He was only a small child, and His waist was the size of an adults' hand-span, His mother was unable to circle that tiny waist, even with an endlessly long rope.
95- The maidservants dried the bodies and hair of Lord Krishna and His beloved gopis with silken towels, and then dressed them in fresh clean garments. Krishna and the gopis then went to the lotus flower palace named Padma-mandira.
96- Lord Krishna went to the south where the ground was inlaid with mosaics and there was a cottage of lotus flowers. Assisted by Her gopi-friends, Shrimati Radharani decorated Lord Krishna, who was more dear to Her than Her own life-breath. She lovingly placed on Him many flower-ornaments and other ornaments also.
97- Shrimati Radharani then dried and scented Her lover Krishna's hair with aguru incense smoke. She carefully combed it, and bound it with a garland of malli flowers, and with other garlands of jati, rangana, yuthika, bakula, golden yuthi, and campaka flowers, ketaki petals, peacock feathers, gunja, and pearls, each placed one above the other. These bushes of flowers and peacock feathers formed a great crown with a broad base at Lord Krishna's forehead, and a narrow pinnacle at the top. The flowers in this crown were so fresh that they attracted swarms of bumble-bees. This crown appeared like a great, beautiful camara whisk, and it enchanted the residents of the entire universe.
98- The bumble-bees of the gopis' eyes rest on Lord Krishna's flower-crown and never leave it. This crown always rests in the lotus flower of the gopis' hearts and never exits. The momentary sight of this crown's reflection repeatedly drags the mind to the remembrance of Lord Krishna. This crown overwhelms the entire world with its splendor.
99- Lalita then decorated Lord Hari's forehead with a moonlike tilaka mark, she placed a single musk-dot in the center, and many sandalwood dots on both sides of it. These tilaka marking were cupid's cakra-weapons to cut the hearts of the gopis.
100- Citra then decorated Lord Krishna's body with beautiful designs drawn in kunkuma. When she looked at Lord Krishna she became agitated by the strong waves of the sight of Lord Krishna's beauty. The marking she had drawn on His body reminded her of Lord Krishna's dancing with each gopi during the rasa-lila.
101- Citra then drew colorful tilaka pictures on her friend, Krishna's limbs, whose glistening, friendly luster defeats the beauty of dark monsoon clouds. These tilaka pictures were like cupid's flower's net to catch the khanjana birds of Shrimati Radharani's eyes.
102- The gopis jubilantly decorated the body of their lover Krishna with earrings, necklaces, bracelets, armlets, a belt, and glistering splendid anklets made of fragrant flower buds and blossoms of many different colors. These flower ornaments became like cupid's rope for binding the does of the gopis' eyes.
103- The principal gopis then decorated Shrimati Radharani with flowers as She sat behind a screen. These gopis were in turn decorated by the maidservant-gopis.
104- Vrnda-devi then took Lord Krishna and the gopis to a charming place where the ground was paved with mosaics. There they saw a great variety of fruits and other foodstuffs in plates and cups fashioned from palasam sala, plantain, and balkala leaves.
105- Lord Krishna then sat down on a seat of flowers to eat His lunch. Subala sat at His left and Madhumangala at His right.
106- Shrimati Radharani and Her friends then approached Lord Krishna and began to serve Him lunch. Vrnda-devi, the deity of Vrndavana-forest, brought the various courses, and Shrimati Radharani placed them before Lord Krishna and His friends.
107- Shrimati Radharani first served Them pieces of coconut,the color of conchshells, and neatly cut in the forms of little conchshells. She also served Them many different preparations, some without grains, some with grains cooked to a soft consistency, and some with slightly crunchy grains. These preparations were naturally many different colors, some white, some red, some green, and some yellow.
108- Shrimati Radharani and Her friends gave Them water, and when this was drunk, they again ate the delicious foodstuffs made with grains.
109- Shrimati Radharani then gave Them delicious mangoes of various colors, shapes, and stages of ripens.
110- Lord Krishna and His friends enjoyed eating delicious pieces of skinned mango at the first stage of ripens.
111- Not using Their lips, They licked the thick nectar of the skinned mango pieces with Their tongues.
112- Lord Krishna and His friends became delighted by sucking the sweet nectar from other ripe mango-pieces.
113- Lord Krishna and His friends ate cut-up pieces of seedless kantaki fruit and golden lotus and campaka buds.
114- They ate many kind of fruits, such as pilu, grapes, dates, tala, bilva, jambu, lavali, and lakuca fruits.
115- They ate many varieties of fruit. They ate plantains, badaris, srngatas, tala seeds, ksirikas, and tutakas.
116- They ate various fruits such as anjiras, amrtankas, nasapatis, narangas, kamarangas, and vikankatas.
117- They ate susenas, matulangas, and kapittha fruits. They ate peeled pomegranates and varieties of seeds.
118- They ate mayambus, sukhasas, karkatis, karvuras, gudalus and kesarajas. They ate various kinds of roots and herbs.
119- They ate lotus roots, succulent lotus seeds, and lotus stems. They ate delicious piyala, pilu, and baddama seeds.
120- They ate cream-sweets made at home by Shrimati Radharani in the forms of narangas, rucakas, mangoes, and other fruits.
121- They ate sweets made in the shapes of flower-and-fruit-bearing bilva, pomegranate, shrirya, mango, naranga, rucaka, and other trees.
122- They ate candrakanti, gangajala, and other kinds of laddu candies that Shrimati Radharani had prepared at home. All these delighted the five senses of Lord krishna.
123- They ate many large laddus made with sugar, camphor, cloves, cardamom, pepper, and other palatable ingredients.
124- They drank nectar drinks made with the juice of mangoes, panasas and other fruit, and prepared with honey, sugar, and camphor. They also drank karpura-keli, amrta-keli, and other similar keli-drinks brought by the gopis.
125- Shrimati Radharani served these preparations one after another, and lotus-eyed Lord Krishna and His two friends ate them all.
126- Lord krishna and His friends ate cream-candies formed in the shapes of trees complete with leaves, flowers, fruits, branches, trunks, and roots.
127- The brahmana boy Madhumangala jokingly criticized and praised the foods offered by Shrimati Radharani. His jokes made all the gopis burst into laughter, their faces wrinkled with mirth.
128- Lord Krishna and His friends drank their fill of camphor-scented water, and then rinsed their mouths with scented water presented by the gopis.
129- Lord Krishna then went inside the palace of lotus flowers and lay down on a bed of beautiful flowers. Tulasi-devi and the other gopis offered Him betel-nuts, massaged His feet, fanned Him, and rendered various other services to Him.
130- Subala and the brahmana boy Madhumangala chewed betel-nuts and then rested on a nice bed in the cool shade in the mosaic-paved courtyard to the south of the lotus palace.
131- Shrimati Radharani and Her gopi-associates, such as Rupa-manjari, and Vrnda-devi, the deity of Vrndavana forest, then sat down together. Longing to taste the nectar of their lover Krishna's lips, they all happily ate what remained of the meal they had just then served Him.
132- As the gopis, ate they were pleased by the clever jokes spoken by Nandimukhi and Kundalata.
133- All the gopis then rinsed their mouth and entered the lotus palace. Shrimati Radharani lay down on a bed there, surrounded by Her gopi-friends.
134- Tulasi-devi gave the betel-nuts to Nandimukhi, Dhanistha, and Kundalata.
135- Then Tulasi-devi, Rupa-manjari, and Vrnda-devi, the deity of Vrndavana, and the maidservant-gopis, all ate the remnants of Lord Krishna's lunch.
136- When these gopis finished eating they went to the mosaic-paved place in front of the lotus palace. In that place they all fell asleep
137- Shrimati Radharani then gave her betel-nut remnants to Vrnda-devi and these gopis. Chewing on these betel-nuts, Vrnda-devi went outside.
138- Lord krishna then dragged His timid beloved Radharani to His side. Repeatedly laughing, He took the chewed betel-nuts from His own lotus-mouth and placed them in Her lotus mouth. He happily lay down by Her side.
139- Rupa-manjari and her friends then fanned Radha and Krishna, and served Them in various other ways. In this way Shri Shri Radha and Krishna tasted the happiness of sleep.
140- Thus ends the fifteen chapter of Govinda-lilamrta in the matter of the Lord's midday pastimes. Shrila Raghunatha dasa Goswami has ordered me to write this book, which I have been able to do by the blessings of Shrila Raghunatha Bhatta Goswami and the saintly association of Shrila Jiva Goswami. I consider this book the ripened fruit of the service I have rendered to Shrila Rupa Goswami, who is like a bumble-bee relishing the honey at the lotus feet of Shri Chaitanya Mahaprabhu

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